Collaboration with Mark Thompson and Harrell Fletcher This installation was part biography/ part autobiography based on Mark's life and dreams. The show reconstructed the acre of land Mark grew up on through a variety of works that dealt with Mark's daydreams and history. Some elements of the installation included: a video of us carrying Mark on our backs digitally altered to give the impression that Mark is flying, a portable rubber-coated plywood duck pond, a 65' by 25' full scale section of a zeppelin made from ironing board material, portable plywood trees built to replicate those that used to be on Mark's property, a active observation bee hive located in the gallery courtyard that was projected via live video feed into a tent made of wax, a rowboat cut into three individual sections for each artist and a photo-document of its intended use, and a custom built pair of camouflage waders that simultaneously fits our three bodies.

The Boy Mechanic

Yerba Buena Center for the Arts, SF 1999

Collaboration with Mark Thompson and Harrell Fletcher

This installation was part biography/ part autobiography based on Mark's life and dreams. The show reconstructed the acre of land Mark grew up on through a variety of works that dealt with Mark's daydreams and history. Some elements of the installation included: a video of us carrying Mark on our backs digitally altered to give the impression that Mark is flying, a portable rubber-coated plywood duck pond, a 65' by 25' full scale section of a zeppelin made from ironing board material, portable plywood trees built to replicate those that used to be on Mark's property, a active observation bee hive located in the gallery courtyard that was projected via live video feed into a tent made of wax, a rowboat cut into three individual sections for each artist and a photo-document of its intended use, and a custom built pair of camouflage waders that simultaneously fits our three bodies.